∞

              A true artist does not fully reveal themselves to the observer. If the Artist is passionate about his work, his work will bleed into his life, sculpting a man of his own creation. The reason he doesn’t directly reveal himself is because he is constantly planning. Thus, revealing his inner most plans exposes what he has to offer and psycho-socially doesn’t benefit. The act of leaving gaps, mystery, in shades of life and creation is a bridge for the observer, whom aware are to be captivated by it. Leaving the observer to have something to hang on to. (Similar to most relationships, after you completely know a person it becomes less interesting.) This strikes the mind of the observer, a different algorithm of thought process in which observing, provokes question, thought, emotions and visual elements. How well the thoughts appear to the observer will depend on the structure of the creation.

              Levels of deepness within creation that the observer will react to. A) An artist who is surface level is easily read and understood by an observer, who is fluent to the work, thus moves on. This is a flunk because the viewer is seeing a narrow side of artistry. Surface level artists are usually grouped by critics as indifferent or even a duplicate of some sort. B) The observer doesn’t understand all, but is left with something to search for. A fertile layer of understanding, to a wider range of observers and their awareness. This is the area which provoking emotion/thought is manipulable. C) Complex levels of creation which aren’t recognized by the observer, might be too much to integrate and they will naturally have no interest. These are the very complex forms of art, intriguing to some extent, but without grasping the concept. There is no level of creation one over the other. Levels can be both voluntarily and involuntarily created and it applies to the expanding degree of deepness in the creation.

              Degrees in the structure of deepness in creativity is embedded. These are levels of comprehension within creation itself. There are two entities, the creator and the observer. Both have to be fine tuned for the open parallel of idea to be transferred. This is why structuring creation must meet many parallels if the creator chooses to mingle with the awareness of the observer. However, the observer who is not an artist, but playing the role of an observer must be aware of what is taking place. If they are non aware consciously, then they will not understand and thus “reject” if they do not find it interesting on surface level. This is why the creator uses surface level as a cover for, low conscious awareness, to “attract” this crowd of observers before exposing the deepness ,“rabbit holes”. The infinity of creation is embedding. The observer themselves have this material that they are familiar to (surface layer of the creation), and are struck by the idea that another message is below the layer, that is why THEY must consciously must dig to attain answers. Learning is best when found out on their own, and that is what embedding is in art.

              There are two artists, which also resembles their personality types. You have an extroverted artist, and an introverted artist. Both types of artists are mutual in many ways, but it is the form of expression that is different thus categorizing the two. They both have a mutual “core” and in many cases there are artists mixed with a bit of both. Extroverted artists are open to the public, and in terms of creation they do as they please, they’re just being themselves without over thinking. It’s ideology sauce leaked on a blank canvas and there is no guideline. It may bleed through, and may even leak out the frame. Their form of creation is more in the moment, a very open expression. An introverted artist sets guidelines boldly, and prefers to progress alone. Creation is processed through problem solving, introspection, and complex thinking. They may be narrow to the public, and also more intriguing because of their mystery.

              Being an artist, the biggest advantage is how many sides are shown in the work. A true artist can should not have a fixed point in their work. Being one dimensional shows you have little to offer to the observer. This is one of the reasons that the observer will forget about you after time moves on. Being a multitude of dimensions is the best way to handle any art. Not only does this expand your observers, but it expands experience as a creator, thus speeding up the process of learning for both entities(observer and creator). When you share your creativity, you’re also getting the observer to use it, and get inspired by it. When the artist has multitudes of dimensions, it’s not uncommon when the observer believes they are stealing someone’s idea. A true artist’s intent is not to steal the idea, it is to be interchangeable and is purposely showing the audience what he is capable of. There must be a center, a foundation. This inner core is what should be original and different when creating, and ideas that follow after that can be adopted and cultivated into their own. The artist themselves, should be their own template of comparison in linear time.

              If the artist is unbalanced in his own personality, or distracted by something, this will interfere with his artistic ways. There is a time and place for everything so balancing a life takes self discipline to reach success. Not an average thinker, he is wise. Balances both hemispheres of the brain, awareness of self, and his surrounding. There is always a constructing plan of how he is going to break out, and implement whatever he creates. If one is unbalanced, there may be dis harmonic expression within what is created. Experiencing and creation come hand in hand. They are essential for a long term career. Art is the desire of a man to express himself, to record the reactions of his personality to the world he lives in. This is seen keenly to the artist himself. He can break out more than just one type of artist, he is willing to take things a far, even if the boundaries are controversial, as long as the message is clear. Unraveling the truth, but not unraveling himself.

              The Artist as an individual, plays a role of interaction, not always directly to the observer but through his form of art. Interactions provoking thoughts, emotions and ideas. He always has an intent of sending his message and awareness to certain group of listeners depending on how deep it’s covered within the layers of creation. Embedded messages in art, either deeply, or discretely. Expanding of consciousness, never stop growing. Constant creation. The Artist is intellectually, implementing, growth in his audience, and revealing NEW ideas and reviving old ones. While picking out ideas in the vast space in mind, creativity is allowing yourself to make mistakes and after experience, art is knowing which ones to keep. Our greatest potentials manifest through desire, intent, and belief. The Artist is always playing a role of creator through many ways. Individual beings are creators of their own life and their own reality, and the observer is a reflection of what they have created. 

- This aimed slightly toward music, but mostly creativity itself. Wrote all this as a guideline for myself if I need to look back at something and for anyone seeking some insight. Information was barely researched, mainly recalled from memory, and direct knowledge from a higher awareness. It’s about taking in all the creativity you can, and living in your highest excitement. The more you take part in life, the more you go out and do things, the more you learn things, try things, then you become more interesting to the observer. We’re all actors playing a movie role in this game of life. Now that being said, we’re entertainers. There is no real or fake or whatever label you put on people’s work. It all traces back to their personality, and their structure of creation. People aren’t that open, already are immune to most things they see out there, so for your work to be effective, you have to be your own virus.

(Source: bradleyxm)

You aren’t awakened until you realize that this materialized wonderland is only a single channel within an entire network, and one piece to a never-ending puzzle.

(Source: sleeperwaves)

The Weeknd - The Knowing

Watch it if you haven’t already or not.

This is my interpretation of the video and not the song, although the lyrics to the song go well with the scenery in the video but it’s not to be confused. I’ve read some other interpretations but they aren’t in depth. Many people are confused or mind fucked by the video so here is the step by step explanation. 

Intro:

First off Abel (The Weeknd) has not existed yet, during the intro. Ethio X is a planet ruled by an empress and Earth itself is a separate planet. Abel is created by the empress to become emporer of Ethio X. She then combined him with the body(or even genes) of the Ethiopian Emporer from Earth by the name of Haile Selassie in 1974/1975. The man in the beginning speaks the Ethiopian language “Amharic”, in which he talks about the communist who corrupted Ethiopia. 

Now here’s where they got slick with the video. I looked this guy up, Haile Selassie, and there’s a high chance of him being overthrown by his own government at his time. (As the newspaper shows on the video too). A conspiracy about his death, that he didn’t die from respiratory problems but was put to death by his government. Probably due to mutual agreements, for benefits like most overthrown leaders (the running money machine).

Back to the video, the Empress then asks for his body to REPROCESS and then creates Abel, making him emperor. This means, Abel isn’t one of them that he’s actually half human, a hybrid on Ethio X. OR Haile Selassie has now reincarnated into Abel. Either way, we know Abel isn’t really one of them. He is now part of a higher power.

The Rest:

The year is 16311. Abel and his empress rule Ethio X together for quite some time now, until an extra terrestrial shows Abel a vision of one of the empress’s clones. Yes, it seems she has 3 clones of herself (roman numerals above each figure). Weird fetish right?

The vision shows herself up to some type of offering to a reptilian being. This scene is familiar to me, not because of all of the owls i’ve been seeing on my dash lately, but the owl is reference to the movie The Fourth Kind. If you’ve seen the movie, you know what the owl represents. The clone was divine intervening with this reptilian (Sumerian). There was possible bloodline inheritance going on here. The empress was trying to make the top hierarchy of her race more superior than the male.

Abel didn’t like what he saw, so he ordered the three empress clones to be put to death in front of him (there is a hidden shadow figure sex scene but that was just for laughs). Their world was now crying war and the empress was furious with his actions. Using her anger, she telepathically told the planet itself to split in two. Remember, she is not human she is a higher power.

They both gaze at each other as the planets repel. One planet is female, one planet is male. Let’s step away from the “planets” itself, but look at the “gender” issue. Before they split, they were both ONE gender? Quantum entanglement. Before humans were separated into genders, we were all ONE gender.

Changes occur on both planets, genders are now segregated and the empress is still furious. She sends out two hostile females to the male planet to wipe out Abel’s men. Notice how the females sent are white, and the men are black. This isn’t a coincidence. Also note the biblical art moving across their faces. This symbolizes western religion taking over and sanitizing what was only normal.

The women steal Abel’s heart, placing it in a energy container and take off in their pods. Abel, heartless still alive manages to get up and plans to retaliate toward his empress. His associate extra terrestrial beings place something else in his heart, can’t depict what it is. Meanwhile, the empress on her planet receives Abel’s heart, still beating, and tries to smash it with a sledgehammer. She fails, proving that love is the strongest frequency.

Abel (seems like) to hand his keys to his kingdom to a respected extra terrestrial companion, who has been in the shadows throughout the whole video. Abel knows he himself might not be coming back, as he stares at his Ethiopian past life (the statue).

Abel’s army of men salute him with respect as he walks into his ship, departing to the female planet. The empress, finding out his heart is intangible, drops it in the lions den (heart of a lion). The lion refused to eat the heart, instead it brought it back to the empress.

Disbelief by what she’s seeing, she goes through a mental tantrum. Which activates the destruction of the planet once again. This time she plans to kill herself with second thoughts. Abel arrives, grabs his heart and puts it back in his chest. Seeing his empress’s hand holding on to the edge of the hole she self created. He thinks for a split second and cries remembering his past. She brought life into the man who he once was, and he kills his creator.

- End

You might question if my context is valid, but just like the song title itself, it’s truly up to The Knowing.

(Source: bradleyxm)